A few images and a sound recording of the Iberian Chiffchaff, present on private land at Grimston (E Yorks) on 13th April 2014. Unfortunately, despite efforts, access could not be organised for a wider audience.
All images and sound recordings courtesy and copyright of Mark Robinson. More on birding in the area can be found at hornseamere.wordpress.com.
still enough time to enter the North East Wildlife Photography
Competition 2014 which has attracted a line-up of impressive judges
including Ross Hutchinson ITV Weatherman and Sam Lee, folk singer and
keen wildlife photographer.
Durham, Tees Valley and Northumberland Wildlife Trusts have again joined forces with the Natural History Society of Northumbria (NHSN) and the Great North Museum: Hancock in the hope that keen snappers will showcase the best of the region’s wildlife.
year people of all ages and abilities entered 1,500 photos of this
region's amazing wildlife and left experts highly impressed by the quality of their pictures.
Lee said: “I am really honoured to be squinting my photographer’s eye
over the glorious images of the natural world for this competition. As a
onetime photographer, who has decided to document the world around him
through music, it is a great thrill to be getting back in touch with my
visual training and see the world through the eyes and lenses of the
talent across the North East.”
which has worked with Northumberland Wildlife Trust on the planting of
butterfly meadows at its factory in Fawdon is the main sponsor, with
prizes being donated by Opticron, Newcastle College, BBC Wildlife
Magazine, Bird Watching Magazine, Digitalab, Going Digital North East,
Kielder Water and Forest Park, Naturetrek, Northern Experience Wildlife
Tours, Serenity Farne Island Boat Tours, Speyside Wildlife, Vine House
Farm and West Country Wildlife Photography Centre.
year, there are six competition categories to enter, with each category
winner and runner-up receiving a great prize and an overall winner
being selected from one of these categories for the main prize of £250.
Wildlife portraits - photos that capture the character, essence or traits of a species
Wildlife in action - photos that capture wildlife behaviour and action
Wildlife in the landscape - photos that show wildlife in its habitat, landscape or setting
Botanical: photos of plants, fungi and lichen
Young person’s - photos of wildlife or plants taken by anyone aged 16 or under
Art in nature - photos of flora and fauna that are composed for artistic effect
is free and open to everyone, but photographs must have been taken in
the North East. The closing date for entries is midnight, Monday5 May 2014. The winners will be announced at an award ceremony to be held on Thursday 3 July, and will be displayed at the Great North Museum: Hancock in Newcastle before going on tour around the region.
For details of how to submit your entry (online or by post) plus full terms and conditions visit www.nwt.org.uk/photocompetition2014
or write to: Steve Ashton, North East Wildlife Photography Competition,
Tees Valley Wildlife Trust, Margrove Heritage Centre, Boosebeck,
Saltburn, TS12 3BZ.
Waterbirds in the UK 2011/12, the latest report of the Wetland Bird Survey (WeBS), has been published. Search the interactive online interface to find latest information on the status of the UK's waterbirds and the wetlands used by them. With a new colour report
providing a summary of the results and other waterbird related stories,
the new style 'WeBS annual report' provides an invaluable resource for
anyone with an interest in waterbirds in the UK and beyond.
its launch from small beginnings in 1994, the African Bird Club has grown its
activities significantly and last year alone it spent over £30,000 on bird
conservation initiatives in Africa – bringing the total to date up to almost £170,000
across 170 projects in 32 countries. As it
celebrates its 20th Anniversary a special meeting is being held at the Natural
History Museum on Saturday 12th April. Doors to the prestigious Flett Theatre open
at 1015 hrs. Admission is free to ABC members, and non-members are invited
to make a donation. Speakers
include Achilles Byaruhanga
from Uganda looking at the The State
of Africa’s Birds and how we need to save them. Roger Safford will outline
recent discoveries on the Birds of the Malagasy region. World-renowned lecturer
and author Tim Birkhead will talk about Weaver birds and Honeyguides, and how
promiscuity is widespread amongst these families in Africa. David Pearson will look
back on four decades of intensive bird ringing at Ngulia in Kenya and Jim Reynolds will be
“Terning” back the clock to look at lessons learned from 20 years of fieldwork
particular ABC would like to see as many of its Founder Members as possible on
the day – and no doubt there will be a few celebrations in at least one pub in South Kensington!
A tax on landfill operators was introduced in 1996 to encourage
recycling and waste reduction, with the money raised from this allocated to
In order to be eligible, Butterfly Conservation must contribute 10% of
the total amount required for the work they want to do to save threatened
butterflies and moths.
As such, Butterfly Conservation needs your help to secure landfill funds so that they can expand their landscape-scale projects. Every pound donated to the Match Pot Appeal unlocks £10 from the Landfill Communities Fund.
Please visit the donations page by clicking on the Butterfly Conservation logo below to contribute:
RSPB Scotland yesterday condemned those responsible for the killing of a satellite-tagged Golden Eagle, found poisoned on the hills above Glen Lethnot in Angus. The bird was discovered after Roy Dennis of the Highland Foundation for Wildlife, who was monitoring the eagle's movements, became suspicious when the satellite signal remained static for several days. He immediately alerted the police and RSPB Scotland investigations staff who later visited the area, which is intensively managed for grouse shooting, and a search of the moor allowed the recovery of the dead bird.
The eagle's movement's prior to its discovery poisoned.
Tests carried out by the Scottish Government laboratory of Science and Advice for Scottish agriculture confirmed that the bird had been poisoned. The eagle, named "Fearnan", was ringed as a chick in a nest near Loch Tay in Perthshire in June 2011 and had spent much of its life in Badenoch, before moving to the Angus glens in early November. Just three weeks later, it had been poisoned.
Stuart Housden, Director of RSPB Scotland, said: "This appalling incident involving a species recently voted as the nation's favourite bird, marks a dreadful end to the Year of Natural Scotland. We have recently submitted a petition to the Scottish Government, asking for the Golden Eaggle to be officially designated as the national bird of Scotland. Incidents such as this show very clearly why this iconic bird needs not just our recognition, but also greater protection. We sincerely hope that those responsible are swiftly brought to justice and would encourage those with information to come forward."
In the past five and a half years, another four eagles, a Red Kite and seven Buzzards have been shot, poisoned or trapped on sporting estates situated in the Angus Glens. In January 2013, the nest tree of a pair of White-tailed Eagles was felled. No-one has been prosecuted for any of these offences.
Mr Housden added: "I will be asking the environment spokesperson of all the parties in the Scottish Parliament to take cross-party action to stiffen the penalties for those convicted of such offences and to look again at the regulation of sport shooting. The current state of affairs is simply unacceptable."
A recent report by RSPB Scotland revealed that a significant number of incidents of illegal killing of birds of prey took place in areas managed for driven grouse shooting.
Following the report of a drake Baikal Teal at Marshside RSPB, Lancashire yesterday an image subsequently emerged via social media. The digiscoped image from the finder appeared to show a drake with an unusual face pattern, lacking the black vertical line running from below the eye to the chin.
Initial internet searches failed to find any comparable images of drake Baikal Teal with this vertical line absent, and this aligned with news that a hybrid had been seen the previous week resulted in the incorrect conclusion that this individual was one and the same and of hybrid origin.
Later yesterday evening an image was circulated apparently showing a drake Baikal Teal from Japan that did not show the black vertical line (see here). We did some further digging however and located the original image and additional images taken the same day of this presumed 1st-winter drake in Japan that clearly show it did have the black vertical line albeit a narrow one (see here). In addition communication with the observer of last week's hybrid pointed to a different second individual being involved.
In order to try and clarify the identification and establish whether drake Baikal Teal can ever lack this black line we emailed various individuals for comment. Our first response came this morning from Peter Kennerley, who has extensive experience of Asian duck. Peter made the following comments:
"In my personal experience drake Baikal Teal would always show this vertical line...However it is variable in width, on some narrow, others broad"
"...the lack of a black bar on the face isn't a hybrid character (but could be the result of inbreeding from a captive population?)"
Further comments from ex-BBRC chairman Colin Bradshaw provided a plausible suggestion that may explain the absence of the black line commenting thus
"It not only lacks the dark bridle but also the black triangular patch below the eye that this extends from. What I am not clear is whether the bridle feathers are grown in black tipped white and then the white tip abrades off [quite likely I would think]. In that case this white bridle would be a short-lived but common transient feature of all males. However if they grow in black straight away then it wouldn’t."
After further searching an image taken in Japan in December (see here) and another image of a captive bird here may provide further evidence in support of Colin's comments as both individuals have a faint dark line appearing, perhaps as the paler feather tips abrade.
This all points away from my original thoughts that the facial pattern was as a result of hybrid origin and it will be interesting to see, if this individual lingers, whether the face pattern changes in the coming weeks or the line remains absent. Proving its origin however is a whole different ball game!
A short video from Crossens Marsh was made available (via Youtube) by Pete Hines this evening.